![]() The glass was then moved to create the effect of the pen floating. To create this effect, they used double-sided sticky tape (which had just been invented) and stuck the pen to a sheet of glass. In the space-based scenes, we see a space hostess catch a floating pen. Some old-fashioned movie magic was involved tooĪs well as the rotating sets, Kubrick also used some tried and tested methods to create antigravity effects. This is present throughout the film – from the revolving space station, through the Discovery cockpit, to the HAL-9000’s all-seeing eye, and a lot more.Ħ. In order to reflect the theme of evolution present in the narrative, Kubrick had Unsworth create visuals with circular imagery. Together, Unsworth and Kubrick created some of the most iconic visuals ever committed to Hollywood film – visuals with thematic depth. The Director of Photography on the film was Geoffrey Unsworth, a highly experienced cinematographer who had worked on classics like A Town Like Alice (1956), A Night To Remember (1958), and Genghis Khan (1965). The Godfather, Frank Sinatra and links to the Mafia Kubrick presented with the award at the Oscars Deemed by many to be unfair, Academy rules were changed to allow multiple names to be nominated per film in the Best Visual effects category. Oscar rules at the time dictated that only one name could be submitted for the award, despite the fact that the film credited 4 other names in this area (Douglas Trumbull, Tom Howard, Con Pederson and Wally Veevers). ![]() Kubrick won his only Oscar for the filmįor spearheading the pioneering visual effects on the film, Stanley Kubrick won an Oscar for Best Special Visual Effects – his only individual Academy Award. Poole’s gravity-defying jog aboard the DiscoveryĤ. Since 2001, we’ve seen a rotating set used by big name filmmakers like Wes Craven, James Cameron, and Christopher Nolan. Kubrick commissioned an aeroplane manufacturer called Vickers Armstrong to build a 36ft centrifuge that cost $750k. Revolving sets had been used by Hollywood before – like when Fred Astaire danced on the ceiling in Royal Wedding (1954) – but never on this scale. These were largely created by using revolving sets. A space hostess walking up the walls at one point and astronaut Frank Poole jogging across the ceiling are two examples. There are many scenes in 2001 which involves characters or objects defying gravity. The ‘space waltz’ in 2001: As Space Odysseyģ. ![]() Motion control was then developed further by ILM when they provided the visual effects for Star Wars in 1977 The track moved at a rate of 4 inches per minute. The model ships were moved along tracks at exact speeds which meant the film crew could replicate the shot over and over again precisely. To pull this off, the effects team on 2001 developed a technique called Motion Control. It was used to create the effect of the Enterprise going into warp in Star Trek, for example.Īlso, the psychedelic effect of the stargate sequence apparently led to people dropping acid before going to watch the film.Ģ001: A Space Odyssey is famous for its majestic and realistic-looking shots of the spaceships – visuals of a level way beyond anything that came before. That’s how they create the Stargate, and it was also used later in many classic science fiction series and movies. He’d film objects passing behind the glass and it would create an on screen illusion of seemingly stretching the object. He had a piece of glass with a slit in the centre. It’s a minutes long whirl of colour and surreal imagery, and creating it would have been previously impossible.Īudiences hadn’t seen anything like this before, and it was the brainchild of special effects supervisor, Doug Trumbull. This is a gateway to the final sequence where Bowman evolves into the next stage of humanity. Towards the end of the film, astronaut Dave Bowman enters the Stargate. An innovative visual technique was developed ![]() We have the full behind the scenes story of a masterpiece, by way of 25 huge, interesting facts about 2001: A Space Odyssey.ġ. Ground breaking in its scale, its storytelling, its ambition, and its technical innovations, the film cemented Stanley Kubrick’s status as a filmmaking genius and made an impact still felt in Hollywood today. 2001: A Space Odyssey was released in 1968 and changed science fiction movies forever.
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